For the past years, we have faced a repeated experience when presenting our work on prisoners training AI. Scholars in the fields of critical data and algorithm studies start nodding, as if they already knew what we were going to say. What else is prison data labor than an effort to harness the prison-industrial complex in the service of the global data extraction machinery?

The final instalment in our Electronics Ecologies series, MANUFACTURING brings together scholars in geography, media and labour studies to discuss the growth in electronics and chip manufacturing in East and South East Asia.

The deepening integration of the technology sector with the FIRE sector—finance, insurance, real estate—is a profoundly consequential development in modern capitalism. Separately these sectors are among the most powerful forces in society, with access to untold wealth and the ability to act like private forms of governance. When working together, they boost each other to new levels of dominance. Going by terms like fintech, insurtech, and proptech, these interdisciplinary enterprises have acquired an inescapable influence over our lives, even if we only notice a fraction of the ways they interact with us. These terms are large umbrellas under which vast arrays of systems are clustered, each one aiming to deploy digital solutions that serve the needs of technological and financial capital.

Join us as we present and celebrate the launch of two significant project reports and Jeni Lee’s most recent documentary

The transformation of work lies at the centre of our social and political present and future.  This panel explores dimensions of this transformation through a relational approach to work and traverses the possibilities it offers to re-imagine work futures.

Information retrieval has for decades focused on finding digital documents, including documents that were born digital and those that have been digitised. But there are also enormous collections of physical documents, on paper or microfilm for example, that are not likely to be fully digitised in our lifetimes.

Experience an exclusive advanced screening of the Superbots short film, created during Brentwood Secondary College's 2023 Superbots program, before its official release later this year.

‘This Hideous Replica’ exhibition and public program at RMIT Gallery, First Site, Capital Theatre and more, curated by ADM+S investigator Joel Stern and collaborator Sean Dockray as part of Now or Never festival. Opening 23 August, 2024.

What is it like for people interacting with digital government systems? The Australian Government aspires to lead the world in digital innovation. Initiatives in digital governance have seen the introduction of algorithms for NDIS support planning. While the government's vision promises efficiency and modernisation, the reality is far more complex.

Machine Listening (Joel Stern, Sean Dockray, James Parker), will present a newly commissioned work as part of the Soft Centre program at Now or Never festival, held at the Trades Hall on August 31. The work is titled Songbook (5-x).

An open-form seminar and workshop on the politics and aesthetics of AI-generated music led by media artist, theorist and musician Eryk Salvaggio. Eryk will discuss his work and ideas on algorithmic culture, departing from the recent text Gaussian Pop: 14 Theses in which he attempts to situate AI music as an emerging ‘genre, or a movement of sorts, that is distinct from the sounds made by people.